Screenwriting Blog
Posted on by Courtney Meznarich

New York Times Bestseller Jonathan Maberry Tells You How to Write the Perfect First Page

Sometimes the thought of writing something terrible prevents me from writing anything at all. But the feeling doesn’t last, A) because I’ve trained myself to break through that barrier, and B) because I don’t get paid if I don’t write! The latter is very motivating, but not something that most screenwriters can rely on regularly. No, your inspiration must come from yourself. So, what do you do when you can’t seem to get past page one? New York Times Bestseller Jonathan Maberry has some advice to write the perfect first page, and it starts with letting go of perfection.

“Writing the perfect first page is an interesting challenge,” he told us in an interview. “In the first draft, you’re not going to do that.”

So, let yourself off the hook! According to Maberry, who also won a Bram Stoker Award (okay, I’m listening!), setting the standard of “perfect” in your writing is self-defeating, because no work is ever perfect. Even HE has looked back on his first New York Times Bestseller and wanted to change things.

“Looking back at it eight or nine years later, I could say “I would like to change that, that, that,” he said.

“Do the best you can do that day, and also understand its relevance to the final project. The first draft is just a story. All the figurative and descriptive language, the metaphor and subtext, those are things that are going to come later and be worked into it during revision phase,” Maberry explained. “What you need to do is write the first page that keeps you interested enough to write the next one. Write the story that’s going to keep you interested in doing the next page, and the next, and the next.”

When you’ve got draft number one out of the way, revise the first-page keeping in mind these ten ways to hook your reader, according to writer Ann Garvin for Writer’s Digest and adapted for screenwriters:

  • Begin at a critical moment

  • Add an unusual situation

  • Include an alluring character

  • Insert conflict

  • Include the antagonist

  • Create a change in emotion

  • Add irony or surprise

  • Make the reader curious

  • Apply the dread factor

  • Keep the dialogue or action compelling

Tell me something interesting,

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